Laurent Perbos draws inspiration from classic and antiquity themes

Laurent Perbos Paris Olympic Beauty and Gesture

During the Paris Olympics, French contemporary artist Laurent Perbos presented his installation work, Beauty and Gesture, on the steps of the National Assembly.

The installation married classical sculpture with feminine and Olympian sentiments.

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Six brightly coloured sculptures modelled on the Venus de Milo depicted various sports with their accompanying equipment, including boxing gloves, basketballs, surfboards, bows and arrows, tennis rackets, and javelins.

Perbos’ eye-catching creation was remarkable, redefining the Venus figure, often associated with sexuality and sensuality, into one of vigorous, sporty prowess.

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The print In the Heat of the Morning, shows one of these sculptures, Basketball Venus at the top of the stairs, bathed in morning light from Place de la Concorde, echoing the opening of the Paris Olympics.

Beauty and Gesture was on display in Paris for six months in the lead-up to and during the 2024 Olympic and Paralympic Games.

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Afterwards, the installation was exhibited in Hong Kong and, most recently, in Macau, to coincide with the fifteenth National Games of China.

Laurent Perbos primarily works in sculpture. However, he works across other media, including painting, photography, installation, and performance art.

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His art often draws inspiration from classical themes and from antiquity.

Laurent Perbos solo exhibition Artletics

Alongside Beauty and Gesture, City of Dreams in Macau also hosted Perbos’ solo exhibition Artletics. 

The dual shows were purposely held in parallel with the National Games, which were taking place in the Guangdong–Hong Kong–Macau Greater Bay Area.

Drawing on both art and sports, he juxtaposes diverse perspectives to produce fantastical creations that fuse the two. 

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The colossal Venus de Milo playing basketball is one such showstopper. The timeless icon is huge, taller than a two-story-high room.

Venus is reimagined as a sporty Olympian, ready to receive the pass. The grand, monumental scale of the work is impressive, using forced perspective and undermining assumptions to reconcile vastly opposing concepts. 

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This and other sculptural installations form a collective titled Body Myth, in which Perbos reinterprets the narratives of ancient Greek heroes and deities.

Venus de Milo is reimaged as a modern, aggressive sportsperson

Venus de Milo is reimaged from a serene goddess of antiquity, somewhat frozen in time, to a modern, aggressive sportsperson.

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In Antik-Basketball (Apollo) and Antik-Basketball (Giuliano de’Medici), a series of four sculptures recast from marble portraits of ancient Greek heroes, Perbos, changes the tone of these classical portraits from mythical to whimsical by replacing the cool surface of white marble with the speckled, striped material of multi-coloured basketballs.

The effect is striking and paradoxical.

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The artist seeks to jolt the viewer with the surprising, unusual placement and use of familiar objects throughout his works.

Ping-Pong Garden presents irregular and conjoined ping-pong tables with unwritten, mysterious rules. It is Ping-Pong reimagined.

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A sculpture of red and black rackets emerges like a giant growing cactus. In Cactus Ping-Pong #1, the rackets are not tools but are leaf-like jagged appendages that branch and reach outwards.

By altering everyday objects in unexpected ways, Perbos playfully challenges preconceptions.

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He said, “In my series of works related to sport, I reclaim existing games – such as tennis court, basketball, or ping-pong table – and subvert their codes.

“The viewer is confronted with games that appear clearly defined yet, at some point, drift away from their original purpose, break their rules, and invite reflection on notions of failure and success, competitiveness and rivalry, leisure and labour.

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My intention is to create a space of play – an artwork as a field of both physical and intellectual exchange.

Text and photos Cammy Yiu

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