Pivotal images by Hedda Morrison, Lee Fook Chee and Brian Brake

Hong Kong mid-1900s

This photo exhibition of works by Hedda Morrison, Lee Fook Chee and Brian Brake shows Hong Kong during consecutive periods as seen around the middle of the last century.

The images span some thirty years of great change: from the postwar recovery in 1946 – 1947, through the resilience of the 1950s, to the resurgence of the 1960s – 1970s.

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The photos were taken by three photographers: Hedda Morrison, Lee Fook Chee and Brian Brake.

Each had markedly different life backgrounds and photographic objectives.

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Hedda Morrison’s Hong Kong photos, like her prior work in China and later images of Southeast Asia, reflected her high regard for ordinary people.

This led to her photographs’ original publication in the government’s 1946 Annual Report, where I first sighted them in 1995.

Some of her photos also appeared in the classic, life celebrating New York photobook, The Family of Man.

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Brian Brake held similar values.

But whereas Morrison photographed mostly separate images, Brake created highly crafted, pre-envisioned photo stories.

Hedda Morrison, Lee Fook Chee and Brian Brake

His photo-led stories were widely published in contemporary photo magazines, notably LIFE International and National Geographic.

Indeed, he became one of the most celebrated photojournalists of the 1960s and 1970s.

Lee Fook Chee, as a person and photographer, was far different to Morrison and Brake.

Lacking their comfortable origins and their photographic training, he was a poor immigrant to Hong Kong.

Lee harnessed his personal resolve and ability to take photos for selling to tourists who visited Hong Kong.

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All three, Hedda Morrison, Lee Fook Chee and Brian Brake in their own way, recorded Hong Kong during its modern, crucible decades.

Visual record of pivotal decades

These photographers passed on to our present times the photographic heritage seen in this Asia Society Hong Kong Center exhibition.

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Together they present almost every aspect of Hong Kong, with insights into each of the photographers’ lives and work.

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Is the talent needed for such results innate – or gained from experience?

How conscious were Morrison, Lee and Brake of recording a place – and people – that faced
great coming changes?

Text Edward Stokes / Photos copyrights: Hedda Morrison photos, President and Fellows of Harvard College; Lee Fook Chee Photos, The Estate of Lee Fook Chee; Brian Brake photos, Wai-man Lau.

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